![]() And though the two aren't mutually exclusive, Sparks is yet to pose a serious threat to Rihanna's reign over the genre. It's as if the young songstress hasn't quite decided what she wants to be - a dance pop princess or an urban diva. Tattoo, One Step at a Time and Battlefield have already hit the Top 40, with more sure to follow - including the wannabe-Lady GaGa synthpop number S.O.S.īut in between the hits, Sparks reverts to reliable but lacklustre R&B that will have you lunging for the skip button. ![]() It's actually a welcome change from the crooning, melodramatic rhythm 'n' pop she so specialises in: the type of music that begs lovelorn teenage girls to grab a hairbrush and lip synch along.īut even the over-the-top power ballad Don't Let It Go To Your Head and heartbroken wallow of No Parade are preferable to the breathy R&B fillers used to keep this record afloat between the radio hits. Sparks' adopts the same defiant, call-to-arms style of Ms B. ![]() speak out in defence of the Jonas Brothers at the 2008 MTV Video Music Awards when the. And no, not a single liner note mentions Benatar. Jordin Sparks releases a catchy, enjoyable second effort of pop. Battlefield" - and Pat Benatar's smash hit Love is a Battlefield. Surely Jordin Sparks and her management realised people might notice the similarities between her sophomore album's title track Battlefield - complete with the lyrics "why does love have to feel like a battlefield. If you're going to rip off an 80s icon, the least you can do is credit them for the inspiration.
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